Of all the various subjects, people reliably make the best photographs. Nothing is more fascinating to us than other people. A good 'people' photograph shows character, emotion and a connection for the viewer. Here are some tips to help you take great shots of the people in your life.
Subject Placement. The biggest mistake many photographers make is to try to shoot a person's whole body, head to toe. Don't attempt this, unless clothes are important (such as a uniform). Instead, focus on the face. The eyes and mouth are the most important features, so start there and work out until you have just enough to represent the individual(s). Crop tightly, and don't be afraid to overflow the frame with the person's face.
Lighting. A standard lighting technique is to position yourself so the sun is behind you and to one side. This arrangement will shine light on the subject's face, while the slight angle will produce shadows to illuminate form. A better approach is to put your subject in a shady area with a shadowed background. Unlike the human eye, photographic film can't easily handle bright areas and dark shadows, as in direct sunlight, so use the shade for a narrow tonal range. Overcast days are usually best for portraits. Use the flash ('fill-flash' or 'daylight flash') to add light to the face and fill in shadows.
Lenses. Use a long lens such as 135mm - the 'people' lens. A wide-angle distorts the face, although it can be effective for parties. Find a simple, mid-toned background and use a wide aperture to throw it out of focus. I like to use tree leaves or a wall as a background and a 200mm lens set to f2.8. Center the eyes in the shot, not the head, to provide balance in the shot. When photographing children, crouch down so that you're shooting at their eye-level.
Setting The Scene. Try to set-up your camera ahead of time rather than making people wait. Help relax your subjects by engaging them in conversation. Get them to laugh or smile with a joke from the day. Finally, be sure to put yourself in the shot -- that's what the self-timer is for!
Sunday 13 January 2008
What Makes A Perfect Photograph?
Four elements are common to all good photographs: simplicity, composition, lighting, and practice.
Simplicity is actually a deceptively difficult element to capture. What you as a photographer need to do is let the camera help you simplify the things you see in front of you. You begin with a very busy canvas (everything in view) and have to work to simplify by eliminating some of the contents. You can do this either by getting physically closer to your subject, or by using a telephoto lens to zoom in and crop the shot tighter. When you photograph a person, for example, photograph his or her face only, rather than the whole person.
Composition is equally important. An artist's technique, called the "golden mean," is to divide the picture into imaginary thirds both vertically and horizontally, like a tic-tac-toe board. Then, place the subject of the photo on or near those imaginary lines or their intersections. Study photographs that you like and you'll see that almost every one has thirds that you can find.
Lighting is the third key ingredient. Photos that win competitions almost always show a skilled use of light. Try to photograph only at dawn, in the late afternoon, and at dusk, when the low angle of the sun produces rich, warm colors and long shadows. Avoid shooting at noon, a time when light is very "flat."
Practice: Taking photographs that you like won't take a lot of special, expensive equipment. But it will take lots of trial and error. Even professional photographers take many photographs of the same subject to get just one that they like. Remember, only practice makes perfect!
Simplicity is actually a deceptively difficult element to capture. What you as a photographer need to do is let the camera help you simplify the things you see in front of you. You begin with a very busy canvas (everything in view) and have to work to simplify by eliminating some of the contents. You can do this either by getting physically closer to your subject, or by using a telephoto lens to zoom in and crop the shot tighter. When you photograph a person, for example, photograph his or her face only, rather than the whole person.
Composition is equally important. An artist's technique, called the "golden mean," is to divide the picture into imaginary thirds both vertically and horizontally, like a tic-tac-toe board. Then, place the subject of the photo on or near those imaginary lines or their intersections. Study photographs that you like and you'll see that almost every one has thirds that you can find.
Lighting is the third key ingredient. Photos that win competitions almost always show a skilled use of light. Try to photograph only at dawn, in the late afternoon, and at dusk, when the low angle of the sun produces rich, warm colors and long shadows. Avoid shooting at noon, a time when light is very "flat."
Practice: Taking photographs that you like won't take a lot of special, expensive equipment. But it will take lots of trial and error. Even professional photographers take many photographs of the same subject to get just one that they like. Remember, only practice makes perfect!
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